By the 17th century, jean was a crucial textile for working-class people in Northern Italy. This is seen in a series of genre paintings from around the 17th century attributed to an artist now nicknamed The Master of the Blue Jeans.  The ten paintings depict impoverished scenes with lower-class figures wearing a fabric that looks like denim. The fabric would have been Genoese jean, which was cheaper. Genre painting came to prominence in late 16th century, and the non-nobility subject matter in all ten paintings places them among others that portray similar scenes.